Showing posts with label bosbyshell. Show all posts
Showing posts with label bosbyshell. Show all posts

Saturday, January 11, 2025

Ice Storm!


Ice Storm

by Wil Bosbyshell

We went to bed with snow falling outside. Our son, Allen, was five years old and loved playing in the snow. But he was asleep and had been asleep for hours.

I considered, for a nanosecond, waking him up. Nope. Never wake up a sleeping child.

I woke with a start and sat up in bed. “What woke me up,” I thought. The answer came in the sound of something hitting the outside of our house hard. The sound was coming from the other side of the wall behind our bed. As I jumped out of the bed, what sounded like a giant claw struck the house and slid down grinding and scraping.

I threw up the window blind. My backyard was bright, brilliant snow reflecting the moon light like a mirror. Everything glittered and glistened. “What the heck was going on,” I thought. The wind howled and I saw the honey locust tree next to our house hit the side of our house again. Squinting into the night, I saw something was wrong with the tree. It was white and shiny at the same time. I watched the top of the tree bend toward the ground. The branches of the tree clawed the side of the house again, but this time the tree didn't recover. The top of the tree kept moving down slowly instead of bouncing back to its normal height. Down and down until the trunk snapped with a crack, breaking in half. Shards of ice flew in all directions as the tree top collided with the ice-covered ground. It was 6:00 AM.

In the silence after the tree snapping, I heard a sound behind me. “Papa, did it snow,” Allen asked. He was an early riser like all kids. “It sure did, let's go outside and look,” I said. Allen turned running back into his room to get dressed. I did the same. My wife Maura slept through the whole thing.

I helped Allen into his winter boots, gloves, and hat. To put on a jacket, I sang a silly song based on DEVO’s Whip it, “When a jacket comes along, you must zip it. Let's explore the backyard first.” “OK, Papa.”

As we walked through the icy winter landscape, I realized what had happened. First it snowed about two inches and then the temperature rose above freezing, with the snow turning to sleet. The snow began to melt, it rained and then the temperature fell below freezing again. Now about 1/2 inch of ice coated the two inches of snow.

An ice storm!

The ice crunched under our feet as we broke through the top crust. The trees were surreal. A layer of ice coated every small branch and leaf. It looked heavy as everything drooped and bent, straining against the weight of the ice. It was now deadly calm and quiet. All sound except Allen’s muffled voice, “Papa, look the tree broke!” “Yes, it hit the house on the way down,” I added. “The ice killed the tree,” Allen summed up the situation. “Let's go play in the field and build a snowman.”

We crossed the street in front of our house slipping and sliding. We made snow angels and threw snowballs. We tried to make a snowman, and we succeeded in making a very small one. It was the wrong kind of snow for snowmen. Allen giggled with delight for no reason other than pure joy.

The snow began falling again in big flakes spiraling through the air. Allen whirled around and around with his arms outstretched, face turned up mouth open and tongue out laughing. He chased snowflakes catching them on his tongue lapping them up.

Snowflakes are stars that fall from heaven onto your tongue,” he exclaimed. I laughed just watching his silly game. Kids are so fun. Snow brings out joy and the kid in us all.

Plus, as Allen knew, snow meant fun and adventure all day. No school for him, even though he loved it and no work for his parents. There was no such thing as working from home in those days. He would have our attention all day. Not to mention playing in the snow with all his neighborhood friends, Hadley Young and Sean McGillicuddy.

Our neighborhood had no power lines as they were all buried underground. But our neighborhood was an exception, all the neighborhoods around us had power lines stretched on poles.

“Allen, did you hear that explosion,” I asked. “Explosion!” “Yes,” listen.

In the distance I heard a bang. It was a muffled bang. But a bang, nonetheless. It was a particular kind of bang: the sound of an electric transformer exploding when the power cable running into it is violently pulled out. I unfortunately knew that sound too well.

He stopped in his tracks, nothing like an explosion to get a 5-year old's attention. A second explosion. Then in rapid succession 3, 4, 5 loud bangs. Some close and others farther away. The ice was too heavy for the tree limbs and power cables. They all started to break and fall. Suddenly there were about 15 minutes of steady explosions all around us.

“Papa is that dynamite,” Allen watched cartoons where dynamite was a common theme. “No, that is the sound of a blackout,” I said glancing back at the houses across the street. The porch lights were dark. Allen and I played in the snow for an hour or more. Kids ran out and joined us in the fun.

Allen got his adventure. Almost the entire city of Charlotte lost power in the ice storm. Charlotte’s mayor Pat McCory’s, house was dark for two weeks. We lost our power for four days. The junior college where I taught never lost power, so on the third day we spent the day in a classroom being warm. On the afternoon of the 4th day our friends the Halls joined us at Ed's Tavern with their daughter Madison.

Ed’s Tavern had regained power. The server came up to get our drink order. “Bring beer until the power comes back on at our house,” I laughed out my order. I was laughing but not joking. The temperature hovered in the high 20s, and our home was very cold. We had a gas fireplace and hot water heater, so we could take hot showers and warm the house a little. I began to understand how the pioneers in the 18th century felt. I understand the value of a bed warmer now.

We stayed at Ed's Tavern until the kids were exhausted. As we turned into our neighborhood the first house’s outside porch light shone like a beacon! “We have power,” Maura yelled. We cheered and clapped. The Hall’s had to wait one more day in the cold.

We all went to sleep. A warm bed never felt so good! 


Thursday, April 29, 2021

Artist Statement for 2021!


 

Artist Statement

I am an artist whose work is rooted in a love for the natural environment, and our intimate but often unconscious relationship with it. My ongoing observation and time amidst both urban and natural landscapes allows me to center my practice on honoring and protecting the world, while simultaneously paying homage to the beauty it provides. Growing up immersed in a seascape menagerie full of natural curiosities, my work stems from personal questions and ongoing studies of how nature can serve our needs, and conversely, how we must also meet the needs of the natural environment.

My particular fascination with trees lies in my belief that trees are not proverbial abstract things but individual, living beings with personalities and stories to tell. Bringing those stories into a daily consciousness is at the heart of my creative process. By centering on the interaction between the texture of the bark, the natural design of the limbs and the depiction of scars left by time and weather, I am able to achieve an asymmetrical balance that stimulates our minds and invites us to develop a more personal relationship with trees—leading to greater understanding of their importance in the ecosystem and the spiritual place they hold in the world.

Saturday, July 4, 2020

Mountain to Sea Trail Color Pencil Drawings Part 2



Just having a great time with these pastel sketches. They are 7 x 10 inches, so an easy small size. I am trying to complete in one or two sittings at my studio. For this one, I got down in the weeds or wildflowers so to speak! 

Thursday, July 2, 2020

Mountain to Sea Trail Color Pencil Drawings



Maura and I went hiking along the Mountain to Sea Trail near Sparta, NC. This is where the trail runs along the Blue Ridge Parkway. Easy access! Then we went to the Thistle Meadow Winery in Laurel Springs for a glass of wine! Wonderful day. 

These are fun patels in my sketchbook. More flat areas of color than my normal paintings. 

Wednesday, May 27, 2020

Why Draw Trees?


Why Draw Trees?

Climate change, the accessibility of drawing, and universality with trees are the factors that inform my current drawing series. 




Travelling across Alaska while in the army, and my residency in Hungary led me to explore the impact of humans on the landscape. Trees grant us our existence on Earth. Without them we do not have a future. Most people see trees as the proverbial abstract forest; I see them as individuals. Each tree has a personality and a story to tell us. 



My drawings center on the interaction between the texture of the bark, the natural design of the limbs and depiction of the scars left by time and weather. I look for deep shadows in the knots and patterns in the bark. I draw to transform natural detail into massive, solid shapes, achieving unique perspectives from an up close and personal vantage point. 


When I draw a tree, I get close up and study the detailed textures, bark, branches, etc. Older trees show the scars of living and time, just like people. A broken or twisted branch is beautiful in the story that it communicates. 


I have been working in graphite as my primary medium since 2008. My process is as follows. I travel to locations where there are older trees like the Great Smoky Mountain National Park, Pisgah National Forest or locally north Charlotte’s Ribbonwalk. There I observe the trees and spend time with them. I sketch on location, sometimes using rubbings of the bark’s texture. I also photograph the tree for future reference. 


On return to my studio, I use the sketches, texture rubbings and the photos to draw very detailed close-up drawings in graphite. I include the living, dead and broken branches. Before I put marks on the paper, I score the paper with rough objects like rocks, etc. This scoring shows up as white texture in the dark values of the final work. I then apply the graphite in values light to dark. At various times in the process I randomly make marks on the paper with graphite or other instruments to emulate the bark imperfections and variations. 



On observation, the viewer can literally see the divine, through the divine proportion in the bark and branches. I emphasize the ratios found naturally in branches that result in the wonderful asymmetrical balance that stimulates and fascinates our unconscious minds. My drawings are heavily focused on a full range of light and dark values and include as much of the tree’s individual personality as possible. As in nature, some branches of a tree are almost invisible until you get really close. I reward the viewer to get up-close and linger with my drawings. 

 

I want viewers to develop a more personal relationship with trees, leading to greater understanding of their importance in the ecosystem.


Tuesday, April 7, 2020

Drawing 9 in the Tree Series


Here is drawing 9 in my Tree Series. There are a few things I am happy about in this drawing. One is the dead branches that change texture on the right. Also the knot in the truck came out well. The multiple rings were fun to draw. The knot is almost a scare on the tree. This is a tree in the Cone Forest near Blowing Rock, NC.

Tuesday, November 12, 2019

Garden of the Gods painting Finished



I am very happy with many parts of this painting. The mid-ground with the sage green hills and the red rocks came out very well. The contrast in values and colors are both working to make the red rocks stand out. I added a lot of flowers to the foreground than were in the photo. It is a very active painting full of motion

Saturday, April 20, 2019

Old Spruce Series: Drawing number 6



This is a graphite drawing 18 x 24 on paper. These drawings are about texture. This tree has an unusual spiral texture in the truck which was fascinating and fun the draw. 

Monday, October 8, 2018

Vicarious Exhibition: Fire Series


The Elder Gallery of Contemporary Art is hosting an exhibition of art by Veterans. I am one of the featured artists and veterans. These paintings from my fire series will be in the exhibition. The above watercolor is titles Cave Fire. The fire in this painting illuminates petroglyphs from the American Southwest. It is 18 x 24 inches. I used a layering technique which resulted in over 20 layers of color.


Fire Light, Acrylic on canvas.
Flame, watercolor on paper.

Monday, April 20, 2015

Fire Series


Here is another painting in my fire series.  This is a small painting, 8 x 12 acrylic on canvas.  I painted around the edge on this one, even putting my signature on the edge.  In the ground, I used some of the metallic paints from Golden paints.  This adds a great reflective quality to the an otherwise less important part of the painting. I am very happy with the many layers in the back ground.  There are parts of the back ground that are very dark violet in contrast with the bright orange flames.

Monday, March 23, 2015

Blazing Fire


This is one of the paintings in my fire series: blazing fire.  It is an acrylic painting, 18 x 24.  I started with a black and white under painting, then layered or glazed the colors on top.  It is a combination of realistic and abstract.  The logs are realistic and the flames are abstract shapes.  The cast shadows on the logs and rocks came out very well.

Thursday, May 27, 2010

Drawing 1 Getting close to complete


It had been a long time since I'd seen this drawing. This is the first in the series that I began last June. I can only hang so many drawings of this size in my studio at one time. I planned to just add the highlights, but I revisited several parts of the drawing and made major changes. I added more hair in the form of a pony tail. The model actually has a pony tail. I added the highlights, trying to stay minimal. Then, I redrew the eye area and made changes to the facial shadows.
I am more satisfied with the drawing now.