Sunday, September 29, 2024

Ultimate Haunted House a story by Wil Bosbyshell



I grew up as the preacher's kid. Everyone knew my father was an Episcopal priest at Church of the Ascension in Clearwater Florida.

When kids were introduced at school or in a game it went something like this: this is Tom, Mike, Bob, Will - his father is a priest- Sally, Mark, etc. No one, except me, had their father's occupation mentioned in these introductions. This drove me crazy.

There were good and bad aspects of being the preacher's kid. The bad: I had to be at church a lot. And I mean a lot. Especially during Lent. To this day, I absolutely hate Lenten suppers on Wednesday night. The good: some girls could only go out with me, the saintly preacher’s son. Sorry, no more details on that. 

Once, something unexpectedly good happened because I was the preacher's kid; I was given a two-story office building to host a Halloween haunted house. Yes, you read that correctly, the church gave me the use of an entire building for a haunted house. More on that in a minute.

I love Halloween. I believe that everyone should be a vampire or werewolf at least one day a year. As a kid I built haunted houses in my garage. In junior high I graduated to leading the church youth group building haunted houses in adjacent Sunday school rooms. We charged a quarter to raise money for UNICEF. 

One September I was stuck at church … again. One constant at my father's or any Florida church was lots of old men hanging around. Being 16, I thought the old men were a pain in the ass. They wanted to talk all the time. I would humor them by halfheartedly conversing with them. 

One old man proved his worth. He overheard several boys discussing the vital need for more make-out or kissing time at youth group. We were brainstorming how to get more of this activity on the schedule. “Why not have a road rally?” he suggested. “What's a road rally?” me and the other boys asked. “Well,” he explained, “You create clues leading all over town. Teams of four kids per car follow the clues, the last clue ends the rally at your favorite pizza joint. The car with the lowest mileage wins.” 

We were momentarily confused and a little slow on the uptake. “It sounds fun,” we ventured “but that doesn't leave much make-out time if you’re driving all over town.” He explained, “You boys will know the amount of time the rally will take since you know the clues. All the other cars follow the clues, meanwhile your car goes straight to Sand Key to make-out with your girlfriends, then at the pre-arranged time you meet the other teams, and the adults, at the end point. The adults and parents are none the wiser. Your car …. just got lost.” Wink wink, nod nod. 

My friends and I were rendered momentarily speechless. This was a make-out masterstroke delivered by an 80-year-old man that we had previously considered boring at best. Genius!

My buddy recovered first, “That is an awesome plan. You don't know anyone who has a road rally map by chance?” he asked hoping for the guess-at answer. “I do, and I can bring them next week,” replied our new favorite old man. “You're on!” we exclaimed. 80-year-old men may be old, but they are still men. Manly men at that. 

Back to the haunted house.

One day my favorite old man was blathering along about something when I picked up an item from the conversation: the church office was being demolished. I couldn’t care less normally, but they said the day of demolition was November 1st. Red alert sounded in my head. 

I was already planning this year's haunted classroom, but a house would be so much better. A house would be awesome in fact. I ran to my father's office; confirmed the demolition of the building and asked if the youth group could have use of the soon-to-be-demolished building, for its haunted house. My father asked the rector, “Sure,” he agreed. The house was being vacated on October 15th. The ultimate haunted house was in business! 

We had a problem though. We only had props for the classroom and this house was big: two stories, stairs and two porches. We would have to up our haunted house game considerably. 

Team Old Men to the rescue yet again! Sitting around the church waiting for my father to finish some meeting, I was explaining my haunted house problem to the ubiquitous old men. “Well,” he said “Me and Bob do a lot of woodworking. Do you need us to make something for you?” No hesitation on my part, “We need a coffin, an old-timey coffin with a slanted top, like the one in Dracula starring Christopher Lee. We need an electric chair with a big Frankenstein switch and a mad scientist table.” He was impressed by my list. And I could tell … thrilled to have a project to work on. He and Bob would be building props for the preacher’s kid’s haunted house! An old man’s dream come true. 

“Can you draw up rough plans?” he asked. I think he may have thought that I would go home to do this. He didn’t know me very well. I ran to my dad's office got three sheets printer paper, returned, and drew him detailed plans on the spot. I had the vision in my head already. 

Team Old Men were true to their word and all three props were delivered by October 1st. I recruited some of my high school buddies to augment the youth group Bill Mize, Mike DeYoung, Tom Oster and Bob Perry. Having participated in the now legendary Road Rally, they were up for anything I suggested involving church youth group. 

We made announcements at church several Sundays in advance of Halloween, in the Sunday bulletin and in the mailed bulletin. We put up flyers and told all our friends. The haunted house PR machine was in full swing. 

Haunted House plans were drawn and redrawn. Supplies were purchased. Tombstones were constructed out of cardboard; costumes were made; makeup was practiced; cow femurs were bought from the local butcher shop; fake blood was mixed. We knocked holes in the walls enabling disembodied limbs to grab victims as they walked by! We spray painted the walls with grass, scary trees, moons, clouds, crows, owls, scary eyes, etc. We knocked holes in the ceiling, so Tom Oster’s arms hung down, dropping things like wet spaghetti on victims. When wet spaghetti lands on a girls arm the screams are to die for! 

In one room a mad scientist chopped Lea Brady's blood covered skeleton leg (technically a huge cow femur bone) with a machete. She screamed so loudly it even scared us! 

Another room became a graveyard where a dead Mike DeYoung with a real knife in his chest popped up and chased victims. Nearby a vampire (me) and the OG werewolf Bill Mize battled to the death … or undeath. In another room Bob Perry was electrocuted, convulsing when Igor threw the super large Frankenstein switch that was connected to the tin foil skullcap fitting over his head. 

If our “guests” made it through to the end of the haunted house, a happy clown greeted them on the back porch. We did this to cheer up younger kids who got too scared. Unfortunately, that backfired, the clown scared them worse than the haunted house and this was even before Stephen King's “It.” Kathy Gibson Taylor swears to this day that she was not scared by the clown or anything. She claims now that she was not even at the haunted house. I know better. 

The haunted house took place the Sunday evening prior to Halloween. People lined up around the block; it was a tremendous success never to be topped in my time in high school. The best thing was that at the end of the event we walked away … no cleanup! 

The coffin came home with me as part of my bargain with Team Old Men. My parents allowed me to store it under our house next to the air conditioner. It scared the shit out of HVAC repairman over the years. My sister claimed she once saw an air-conditioner technician run from under the house to his truck … never to return.

It was definitely the ultimate Haunted House! Being the preacher’s son was OK after all. 










Thursday, September 19, 2024

Midnight Sun Series - Part 5

These silk screen mono-prints I completed a while ago, and many of them are already in private collections. 









 

Wednesday, September 18, 2024

Art Book or Sketchbook?



When does something change from one thing to another? I question myself at times. Is this book one of sketches or an art book. I purchased this book at Lexington Books in Downtown Asheville in July. The book 's pages were all recycled bills, notebook paper, color paper, invoices, ledges, etc. The pages were all different sizes and textures. It was an art book without me doing anything. 

I then proceeded to add all kinds of things to the pages: collage, photos, tracing paper, drawings, type, stamps, ink, color pencil, paint, etc. I am obviously influenced by my sun series, so many images reflect sun or moon images. 

What do you think? Art Book or sketch book? Let me know your thoughts. 










 

Friday, September 13, 2024

Midnight Sun Series - Part 4

 

I decided to focus on a few detailed areas of the sky on each of these fine art mono-prints. The above print has a sky full of stars. The white halo around the sun is larger than pervious images. 



The above scene has a very dark red in the sun and I added a lot of color pencil strokes to the sky. No stars. 



For this mono-print I was trying to show the aurora borealis with stars in the sky. This is a single layer print. This print is on rice paper. 

Midnight Sun Series - Part 3

These fine art mono-prints were created using the silk screen technique. After the ink dried, I used color pencil to add a little fine detail. 




 


Midnight Sun Series - Part 2


These fine art prints are from one linoleum block that I modified only slightly by carving. The above 1st block is three layers of color: yellow, green and red. 


The above print has the 1st three layers the same, but I added layers light and dark blue. 


This final print I added more blue areas, stars and more red. 

 

Midnight Sun Series - Part 1


I have spent a long time on my tree series of drawings in the past few years. That is still my primary focus. But, its summer! So I am working on my Midnight Sun series of fine art prints. These fine art prints are created using the linocut method of printing. Each is a mono-print, but from a single linoleum block that was modified as I printed. 

I completed these during a three week stay in Provence France. I took a workshop with Jeff Hirst in the town of St. Raphael on the Mediterranean coast. 

I used color and line to show the motion of the sun as it misses the horizon during the Alaskan Summer. 
















































































 

Tuesday, April 2, 2024

ON THE COVER!


April CAROLINA ARTS Cover!


On our cover this month is a work by Wil Bosbyshell, part of his exhibit “Climate Conversations: An Interactive Art Exhibit by Wil Bosbyshell”, on view in the Grand Hall of the Charlotte Art League Gallery & Studios, in Charlotte, NC, from Apr. 5 - 30, 2024.

Receptions: 

Friday Apr. 12, from 6-9pm

Sunday Apr. 14, from 1-5pm


A big thanks to Carolina Arts for the great article and cover! Also, the show will support the Climate Conversations exhibit will benefit Carolina Thread Trail | The Carolina Thread Trail | Regional Network of Trails Carolina Thread Trail. 



 

Tuesday, January 23, 2024



Climate Conversations Art Exhibition

Artist Wil Bosbyshell

Charlotte Art League – Grand Gallery
4237 Raleigh St, Charlotte, NC 28213

Neighborhood NODA, walking distance from Sugar Creek Light Rail Station

Exhibit Dates: April 5 to 30, 2024

Opening Reception Friday April 12 – 6 to 9 PM

Afternoon Reception Sunday, April 14 – 1 to 5 PM


What you can see at the show

Drawings
Paintings
Banners
Memory Tree Installation
Memory Tree Poster – display and give away



Art Price Ranges 

Sketches $90 to $190
Framed drawings $240 to $10,000
Paintings $240 to $690
Prints $45 to $65
Banners $300 to $800




Climate Conversations Drawing 21, 6 x 3 feet, $15,000

Climate Conversations

An Interactive Art Exhibit by Wil Bosbyshell


Celebrate Earth Day 2024 beautifully and thoughtfully with a visit to Wil Bosbyshell’s Climate Conversations art exhibit.

Bosbyshell manages to make the vast climate challenges we face personal and relevant. His large-scale drawings of trees—the largest is over 6 feet tall--are mesmerizing in the level of detail they provide; and they hang amidst suspended banners that flutter as you walk through them like leaves in a forest.

The exhibit is interactive in several ways, inviting your participation. You can touch the fabric tree hangings as you walk through. You can write a thought from your past and hang it on the memory tree. You can take a tree memory poster home with you.

Bosbyshell has always been fascinated with trees. You will be as well after you spend time immersed in this art experience. Bosbyshell’s art is rooted in a love for the natural environment, and our intimate but often unconscious relationship with it. His ongoing observation and time amidst natural landscapes allow him to center his practice on honoring and protecting the world, while simultaneously paying homage to the beauty it provides.

By centering on the interaction between the texture of the bark, the natural design of the limbs and the depiction of scars left by time and weather, he stimulates our minds and invites us to develop a more personal relationship with trees—leading to greater understanding of their importance in the ecosystem and the spiritual place they hold in the world.

His fascination with trees lies in the belief that trees are not proverbial abstract things but individual, living beings with personalities and stories to tell. Bringing those stories into daily consciousness is at the heart of his creative process.

Become part of the exhibit by jotting your own experience with a favorite tree and hanging it on the Memory Tree! Bosbyshell has collected hundreds of tree memories from folks around North Carolina. The memories range from nostalgic to profound. Posters of the collected memories are free to take home as a souvenir of the exhibit.

The Exhibit is in the grand hall of the Charlotte Art League 4237 Raleigh Street in the North Davidson area of Charlotte and runs from April 5th to 30th. Tree drawings and other artwork are available for purchase. There are two receptions: Friday April 12th from 6 to 9 PM and Sunday April 14th 1 to 5 PM. ♦

Climate Conversations Drawing 20, 5 x 3 feet, $8,000


Midnight Sun, Charcoal, 18 x 24, $890

Memory Tree Poster 1 - Take one away free at the exhibit.

Memory Tree Poster 2


Elkin Hike Watercolor, 5 x 7, $490